Art is never finished,
only abandoned .
– Leonardo DaVinci, Artist,
Inventor, Renaissance Man
Art is never finished,
only abandoned .
– Leonardo DaVinci, Artist,
Inventor, Renaissance Man
Art is never finished,
only abandoned .
– Leonardo DaVinci, Artist,
Inventor, Renaissance Man
Art is never finished,
only abandoned .
– Leonardo DaVinci, Artist,
Inventor, Renaissance Man
-
Art Institute of Philadelphia /
Graphic Design and Illustration
-
Art Institute of Philadelphia /
Graphic Design and Illustration
"
"
"
sculpture


All good works of art incorporate
abstract and surreal elements,
order and surprise, intelligence
and imagination, science and
the subconscious.
"
– Henry Moore, Sculptor
"

Hand-carved log, fabric, crystals, acrylic. "Simpuvium", ancient Roman word for a sacrificial bowl in temples holding the blood of sacrificed animals. This sculpture represents women as sacred sacrificial vessels bringing life into the World.

Hand-carved log, fabric, crystals, acrylic. "Simpuvium", ancient Roman word for a sacrificial bowl in temples holding the blood of sacrificed animals. This sculpture represents women as sacred sacrificial vessels bringing life into the World.

Hand-carved black Inverness stone on lacquer wood base 18"h x 10"w x 8"d Exhibited at The Pennsylvania Academy of The Fine Arts Gallery receiving an Honorable Mention & at Village Artworks Gallery in PA.

Hand-carved black Inverness stone on lacquer wood base 18"h x 10"w x 8"d Exhibited at The Pennsylvania Academy of The Fine Arts Gallery receiving an Honorable Mention & at Village Artworks Gallery in PA.

Hand-carved Alabaster, 12"w x 15"d x 8"h. Inspired by the inscription above the Delphi Oracle which inspired Freud to pioneer the field of Psychoanalysis Artworks Gallery in PA.

Hand-carved Alabaster, 12"w x 15"d x 8"h. Inspired by the inscription above the Delphi Oracle which inspired Freud to pioneer the field of Psychoanalysis Artworks Gallery in PA.

Hand-carved limestone 3.5'h x 3'w x 3' d, 3 qtr. right view. Inspired by Darwin's theory of evolution. Exhibited at The Pennsylvania Academy of The Fine Arts Gallery & in the 2015 New Hope Sculpture Exhibition, New Hope, PA.

Hand-carved limestone 3.5'h x 3'w x 3' d, 3 qtr. left view. Inspired by Darwin's theory of evolution. Exhibited at The Pennsylvania Academy of The Fine Arts Gallery & in the 2015 New Hope Sculpture Exhibition, New Hope, PA.

Hand-carved Limestone 2'w x 1'd x 1'h, 3 qtr aerial view. Inspired by the many attempts at world peace. The small broken wishbones represent unsuccessful attempts & the largest one represents hope for peace. Exhibited at The Pennsylvania Academy of The Fine Arts Gallery & the New Hope Arts Sculpture Show. Installed 2019-2021 in the Bucks County Community College Sculpture Walk. 2022-Permanent this sculpture was installed their permanent collection.

Hand-carved Limestone 2'w x 1'd x 1'h, 3 qtr aerial view. Inspired by the many attempts at world peace. The small broken wishbones represent unsuccessful attempts & the largest one represents hope for peace. Exhibited at The Pennsylvania Academy of The Fine Arts Gallery & the New Hope Arts Sculpture Show. Installed 2019-2021 in the Bucks County Community College Sculpture Walk. 2022-Permanent this sculpture was installed their permanent collection.

Title placque created for limestone sculpture installation at Bucks County Community College's Sculpture Walk & now in their permanent collection.

Hand-carved Alabastar mounted on an African Mahoghony Base. Exhibited at The PA Academy of The Fine Arts, The Bucks County Sculpture Show & The New Hope Historical Society Art Exhibition.

Unfired oil-based clay 18"w x 6"d x 6"h. Study in clay of male anatomy from a live model.

Fired clay, 18"w x 6"d x 6"h. Study in clay of male anatomy from a live model with faux bronze patina on a cherry wood base.

Unfired oil-based clay, 10"w x 6"d x 6"h. Study of the female anatomy in abstract from a live model.

Fired clay with faux bronze patina, mounted on oak base, aerial view, 10"w x 6"d x 6"h

In a private collection. Clay with faux bronze patina, mounted on natural wood base, aerial front view.

In a private collection. Detail of sculpture "Khaleesi & King". Clay with faux bronze patina mounted on natural wood base, aerial right profile view.

In a private collection. Baked polymer clay with faux bronze patina mounted on mahogany base, back aerial view, 10"w x 6"d x 5"h.

In a private collection. Baked polymer clay with faux bronze patina mounted on mahogany base, front aerial view, 10"w x 6"d x 5"h.

Unfired oil-based clay study of a female anatomy of the head from a live model.

Fired porcelain clay with white glaze finish. Inspired by a family member in self-isolation due to an illness.

Unfired oil-based clay, 10"w x 6"d x 6"h. Study of the female anatomy in abstract from a live model. Mounted on an oak base.

In a private collection. Fired clay w/white glaze finish, mounted on black Afghanistan marble base, 14"h x 6"w x 5"d, left 3 qtr. view. Exhibited at The PA Academy of The Fine Arts Gallery, Village Artworks Gallery in PA & The Bucks County Community College Scholarship Art Exhibition in 2015.

In a private collection. Mitzi, the model for this sculpture of baked polymer clay w/a faux bronze patina, mounted on an onyx wood lacquered base, 30"h x 18"w x 12"d.

In a private collection. Baked polymer clay w/a faux bronze patina, mounted on an onyx wood lacquered base, 30"h x 18"w x 12"d.

Unbaked polymer clay, 25"h x 18"w x 10"d, 3 qtr. left view.

Unbaked polymer clay, 25"h x 18"w x 10"d, 3 qtr. right view.

Carved concrete, clay, acrylic, found objects, mosaic of shredded credit cards on onyx wood panels. Part of a series titled "Saints For Today"

Hand-built wood study of a torso, male & female merged into one piece.
All Art and Images and LNLportfolio © Linda N. LaRose / Must seek permission to use / LindaLaTulip@gmail.com